a conversation between two friends separated by one state, sharing the same passion for the art of knitwear.

knitorious is an archive for knitwear designers, knitwear students, knitwear lovers and even the knitwear curious.

5.17.2011

making up for lost time today


It's been a while!
I'd say the big news this week is that I have finally finished this felt top! I decided against
the sideseam lace-up a while back, and thought maybe instead I'd do two rectangular
panels that would snap in and out at the sides. Then, I felted the shoulders together
Sunday night and gave it a try on... and here you have it! I fell in love with the way it rests
with no side closure. Something to layer over other things, I'm pretty proud of this one!

Also in the works:
1. Updating my website with sample-work photos, new sketches & experimentation
in accessories. And after a successful photo shoot session yesterday, with much
help from Frank Podesta (who snapped the photos) I've definitely gathered some great
material for the cause. A few of these will be up hopefully today some time.


Hudson Valley lace shetland yarn and tonal wool roving knit-ins



Bartlett tubular yarn/Hudson Valley shetland combination in the button-back
cardigan. I found these amazing stone barrel-type beads to serve as buttons!

Close up of that needle felted elbow patch


Red acrylic blended poncho worn with Icelandic loopi/shetland lace blended
motorcycle jacket


2. Etsy shop is also on the way! I know I've been saying this, but I have set up my account to
sell goods and my paypal as well... so its happening y'all!! That being said, I suppose this
here post also serves as a sneak peak preview sort of thing, since most of these items
will be for sale! I may hold off on the sweaters for a bit, they mean so much to me,
but I will eventually share them too!


A few nice shots of the barnacle scarf :)


Three different chokers
mixed materials


One choker, one triple strand necklace


Three necklaces

3. I sort of ruined my portfolio last week while being overzealous with a
Chartpak marker... so, I'm making a better one. Figured I'd try to do the layouts
digitally this time around... We'll see how that goes. I'm working on edits to
my new sketches now, so look forward to that post tomorrow!

5.10.2011

beading complete!

Finally finished up beading the back piece of this little felted top
I've been working on! I really love the way it turned out, and the beading
adds just the right amount of weight to keep the front from slipping forward
when worn. I decided to finish it with two rectangle side pieces that will snap in.
Can't wait to finish this one!

close up-- orbital paths

Mixed materials -- mostly plastic and semi-precious stone

5.05.2011

intarsia inspiration this may

"The Gigerbread Reclamation"
Despite falling into a state of negect and disrepair over the past century,
Port-au-Prince's beautiful, ornate 'gingerbread' houses were unlikely survivors
of last year's earthquake. As the Haitian capital recovers, these once-grand houses
are setting a foundation for its cultural and economic restoration.
Words by Marisa Mazria Katz | Photos by Sasha Bezzubov
The Wall Street Journal Magazine May 2011

Also inspired by Egon Schiele's towncapes this week.
Summer Landscape | 1917 | oil on canvas

The most famous of Port-au-Prince's so-called gingerbreads, the Hotel Oloffson,
with its stunning ornate lattice work, will be a focal point of a planned cultural
heritage district in the Pacot neighborhood, which has the highest concentration of
these uniquely designed homes

Schiele | Suburb I | 1914 | canvas mounted on pressed wood

The renovations to this neglected 1910 gingerbread, built by Georges Baussan,
the architect of Haiti's presidential palace, were put on hold after the earthquake.

Schiele | House with Drying Laundry | 1917 | oil on canvas

The home of Vivian Gauthier, which survived the earthquake intact while
concrete structures crumbled around her; one of the few remaining family-inhabited
gingerbreads, in the Bois Verna neighborhood.

Beyond the heritage preservation, the gingerbread style encapsulates design
techniques that Olsen Jean Julien, former minister of culture and now project
manager for the Smithsonian Institution-back Haiti Cultural Recovery Project, sees
as a key to the country's reconstruction efforts. "The gingerbreads are a strong witness
of our history of the 20th century," Julien says. "Their architecture shows us that
people who built them had the memory of hurricanes and the first earthquake in 1770.
The respected seismic codes even before they had been written."

Schiele | Edge of Town (Krumau Town Cresent III) | 1918 | oil on canvas

Clockwise from top | A view of Gauthier's salon; a rundown gingerbread now part
of a secondary school, though its classrooms are no longer in use; vendors fill the roads
near the Iron Market, in Centre Ville, Port-au-Prince's commercial district.

Schiele | Krumau Landscape (Town and River) | 1915/16 | oil on canvas

"Schiele's townscapes are compositionally poised between a symbolic
treatment and the more formal contrast of the cubic, geometrical architecture
and the colorful, organic shapes of the natural surroundings."



5.04.2011

evelyn roth and her recycling book.



just stumbled onto some of Evelyn Roth's work and i'm swooning. she an icon in so many senses. she was doing the recycling thing before it became as mainstream as we know it today... and she was incredibly innovative about it -- thought-provoking! read the article below for more info on Evelyn, and be sure to watch the videos as well! this is truly inspiring stuff here, and something tells me Amanda's going to go hunting for this book so i will save you the trouble, check it out here! (i'm considering buying it, myself!). also check out her website here.


web moving sculpture.

Evelyn, herself.

crawling web.

crawling web.

roller derby (recycled videotape).

crocheting video tape.

basket of goodies (recycled videotape).

TV trap - symbolizing the all consuming nature of TV (see her speak more about this in her videos!).

car cozy- keeps it warm in winter, cool in summer.

prairie north.

sea mollusc.

feather knit.

sea urchin in the landscape.


wearable art ~ 1980's
buckskin wedding - knit natural tanned buckskin & bone.

family sweater.

family sweater.



Environment for Living Recycled from 110 Sweaters (1974) by Eveyln Roth.
Belkin Satellite Gallery, Vancouver, August 2006

a walk through Evelyn's recycling book.